{"id":18548,"date":"2016-12-07T17:27:32","date_gmt":"2016-12-07T17:27:32","guid":{"rendered":"http:\/\/www.jomec.co.uk\/intercardiff\/?p=18548"},"modified":"2020-10-30T13:17:20","modified_gmt":"2020-10-30T13:17:20","slug":"suffer-the-small-birds-the-gentle-good","status":"publish","type":"post","link":"https:\/\/cardiffjournalism.co.uk\/intercardiff\/business-culture\/suffer-the-small-birds-the-gentle-good","title":{"rendered":"The Gentle Good, a Welsh musician&#039;s fight for global human rights"},"content":{"rendered":"<h2>Timeless and timely, Gareth Bonello of The Gentle Good is taking the tradition of Welsh folk music to speak of the people\u2019s struggles in a globalized world.<\/h2>\n<div class=\"embed-container\">In October, gareth Bonello released his latest album, <em>Ruins \/ Adefeilion.<\/em> This summer, he plans to tour the album around the UK. The songwriting was sparked from his frustration with ongoing social issues, such as the refugee crisis in \u201cBound for Lampedusa,\u201d and the divide between wealthy &amp; poor in \u201cSuffer the Small Birds.\u201d<\/div>\n<div class=\"embed-container\">\n\u201c\u2018Suffer the Small Birds\u2019 is encouraging the people in power to listen to the small birds but also encouraging the small birds to sing so they actually have something to listen to,\u201d he says.<br \/>\n<iframe class=\"zeen-lazy-load-base zeen-lazy-load\" title=\"Gareth Bonello of The Gentle Good\" src=\"about:blank\" data-lazy-src=\"https:\/\/player.vimeo.com\/video\/195226740?dnt=1&amp;app_id=122963\" width=\"492\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen\" allowfullscreen><\/iframe><noscript><iframe title=\"Gareth Bonello of The Gentle Good\" src=\"https:\/\/player.vimeo.com\/video\/195226740?dnt=1&amp;app_id=122963\" width=\"492\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen\" allowfullscreen><\/iframe><\/noscript><br \/>\nIt&#8217;s a misquote from Shakespeare, &#8216;the eagle does not suffer the little birds to sing.&#8217; Winton Churchill rephrased the quote after WWII, \u201cwhen the Allies were deciding who was going to run which bits. There was a lot of debate about what to do with the Balkans. Churchill used that quote to basically say, \u201cit doesn\u2019t matter, they\u2019ll do what we tell them,\u201d and then obviously that just sowed the seeds for conflict in the future in what is now the former Yugoslavia.\u201d<br \/>\n\u201cIt just struck me that that kind of attitude of the larger powers, \u201cthey\u2019ll do that we tell them,\u201d that actually has sown a lot of the seeds for lots of the conflicts and lost of the problems over the world and actually if there was a bit more leeway given to the smaller voices that would, in my opinion, help improve situations,\u201d he says.<br \/>\n<figure id=\"attachment_18553\" aria-describedby=\"caption-attachment-18553\" style=\"width: 625px\" class=\"wp-caption alignnone\"><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-18553 size-medium\" src=\"https:\/\/cardiffjournalism.co.uk\/intercardiff\/wp-content\/uploads\/sites\/12\/2016\/12\/gareth-binoculars-smile-625x398.jpeg\" alt=\"gareth-binoculars-smile\" width=\"625\" height=\"398\" \/><figcaption id=\"caption-attachment-18553\" class=\"wp-caption-text\"><noscript><img decoding=\"async\" class=\"wp-image-18553 size-medium\" src=\"https:\/\/cardiffjournalism.co.uk\/intercardiff\/wp-content\/uploads\/sites\/12\/2016\/12\/gareth-binoculars-smile-625x398.jpeg\" alt=\"gareth-binoculars-smile\" width=\"625\" height=\"398\" \/><\/noscript> Gareth Bonello out birdwatching in the morning in Whitchurch.<\/figcaption><\/figure><br \/>\nAnother song on the album, \u201cBound for Lampedusa,\u201d is about migrants and refugees fleeing Libya in a poorly-made boat and trying to reach that island or trying to reach somewhere in Europe to claim asylum. That\u2019s a horrible situation\u2026 thousands of people have drowned over the past few years, and mainly it\u2019s because of the inaction of European Union for political reasons not being willing to rescue people from the seas because they felt that that would encourage more people to migrate,\u201d he says<br \/>\nGareth Bonello&#8217;s music is a bridge between Welsh and English, between the traditional and the current, between ideology and pragmatism, between east and west, and between worlds of thought. His music is tenderly melting down the division.<br \/>\nBonello\u2019s approach to music bypasses what he calls the \u2018pop culture filter.\u2019 He was initially drawn to UK folk music that wasn\u2019t designed to appeal to a global audience: English folk songs at first, because it was accessible, then traditional Welsh folk.<br \/>\n\u201cI wanted to be influenced by traditional Welsh music and to create new, contemporary Welsh folk music that came from that source,\u201d he says. \u201cI think I\u2019ve always understood the value of different cultures and how they can become integrated into another culture\u201d<br \/>\nHe\u00a0writes and performs songs in both Welsh and in English. \u201cWelsh language is my first language and you always have a strong connection to that,\u201d he says. \u201cGrowing up in Cardiff, you\u2019re very aware of it\u2026 because it is mostly an English city. The Welsh you speak is mostly at home or with friends or at school. People constantly challenge you in South East Wales: \u2018Why waste money on it?\u2019 \u2018Why bother with it?\u2019 So you have to get used to justifying it.<br \/>\nAs a volunteer, he offers guitar lessons at the Oasis Centre, an organization that assists refugees and asylum seekers. As a musician, he&#8217;s made a <a href=\"https:\/\/thegentlegood.bandcamp.com\/track\/dance-for-new-snow\">charity EP<\/a> to raise money for the Centre. His teaching experience has been mutually rewarding.<br \/>\n\u201cIt\u2019s not necessarily about the guitar playing,\u201d he says. \u201cI think a lot of the people who come to the Oasis Centre can\u2019t access a lot of things. They\u2019re not allowed to work quite often. So it\u2019s providing them an outlet for some frustration or providing them with a different perspective on things.<br \/>\n\u201cIt is remarkable even in a small hour session people can really loosen up,\u201d he says. \u201cThere was one fellow whose hand wasn\u2019t strong enough to hold the chord shapes because he\u2019d been in so many fights that he\u2019d broken most of his fingers and couldn\u2019t hold the shapes properly but he still found a way to and we looked at different ways to hold a guitar and so he could get some notes out.&#8221;<br \/>\n<figure id=\"attachment_18552\" aria-describedby=\"caption-attachment-18552\" style=\"width: 625px\" class=\"wp-caption alignnone\"><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-18552 size-medium\" src=\"https:\/\/cardiffjournalism.co.uk\/intercardiff\/wp-content\/uploads\/sites\/12\/2016\/12\/Gareth_1-1-625x348.jpeg\" alt=\"gareth_1\" width=\"625\" height=\"348\" \/><figcaption id=\"caption-attachment-18552\" class=\"wp-caption-text\"><noscript><img decoding=\"async\" class=\"wp-image-18552 size-medium\" src=\"https:\/\/cardiffjournalism.co.uk\/intercardiff\/wp-content\/uploads\/sites\/12\/2016\/12\/Gareth_1-1-625x348.jpeg\" alt=\"gareth_1\" width=\"625\" height=\"348\" \/><\/noscript> Gareth tunes his guitar in his music room.<\/figcaption><\/figure><br \/>\nBonello is currently conducting a research-based Ph.D through y Coleg Cymraeg and the University of South Wales on the shared history between Wales and the Khasi people of North East India through music. It&#8217;s a unique relationship between the two cultures. In the 1840\u2019s Welsh Methodist missionaries went to Khasi Hills, India and began a written culture in the Khasi language.<br \/>\n\u201c[It\u2019s] part of a bigger project looking at the whole thing in a post-colonial way. I\u2019m looking at\u2026 how minority cultures use music as a form of expressing their identity and how that can change,\u201d he says. \u201cBasically, you have two marginalized cultures\u2026 all interacting. The other half of the Ph.D is producing creative work in response with musicians from Khasia.\u201d<br \/>\nThis is not the first time he has done such a cultural exchange. His previous album <em>Y Bardd Anfarwol<\/em> was produced in South China during a residency commissioned by the British Arts Council with the Chengdu Associated Theatre of Performing Arts. The album features a fusion of Welsh folk and Chinese instrumentation.<br \/>\nIn a way, this latest album was a response to the last one, which he says was more escapism. \u201cI\u2019m trying to encourage more dialog with the album,\u201d he says. \u201cIt\u2019s important that we come up with mature, sensible discussions about it rather than just political discussions that benefit certain people above others.\u201d<\/p>\n<h3>Have a Listen to <em>Ruins\/Adfeilion<\/em>:<\/h3>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Gareth Bonello tackles politics and social issues in Welsh and English in his latest album. Behind the scenes, he&#8217;s doing even more.<\/p>\n","protected":false},"author":441,"featured_media":18553,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[5],"tags":[767],"coauthors":[],"class_list":["post-18548","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-business-culture","tag-refugees"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The Gentle Good, a Welsh musician&#039;s fight for global human rights - InterCardiff<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cardiffjournalism.co.uk\/intercardiff\/business-culture\/suffer-the-small-birds-the-gentle-good\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Gentle Good, a Welsh musician&#039;s fight for global human rights - InterCardiff\" \/>\n<meta property=\"og:description\" content=\"Gareth Bonello tackles politics and social issues in Welsh and English in his latest album. Behind the scenes, he&#039;s doing even more.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/cardiffjournalism.co.uk\/intercardiff\/business-culture\/suffer-the-small-birds-the-gentle-good\" \/>\n<meta property=\"og:site_name\" content=\"InterCardiff\" \/>\n<meta property=\"article:published_time\" content=\"2016-12-07T17:27:32+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-10-30T13:17:20+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/cardiffjournalism.co.uk\/intercardiff\/wp-content\/uploads\/sites\/12\/2016\/12\/gareth-binoculars-smile-e1508883475853.jpeg\" \/>\n\t<meta property=\"og:image:width\" content=\"948\" \/>\n\t<meta property=\"og:image:height\" content=\"529\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Noelle E. C. 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