{"id":31322,"date":"2018-03-15T15:01:39","date_gmt":"2018-03-15T15:01:39","guid":{"rendered":"http:\/\/www.jomec.co.uk\/intercardiff\/?p=31322"},"modified":"2018-03-15T15:01:39","modified_gmt":"2018-03-15T15:01:39","slug":"ravenhills-production-10-plagues-offers-wildly-immersive-experience","status":"publish","type":"post","link":"https:\/\/cardiffjournalism.co.uk\/intercardiff\/business-culture\/ravenhills-production-10-plagues-offers-wildly-immersive-experience","title":{"rendered":"Ravenhill\u2019s production of \u201810 Plagues\u2019 offers a wildly immersive experience"},"content":{"rendered":"<h2>Having changed the face of British drama over the past 20 years, can Ravenhill\u2019s production of <i>10 Plagues<\/i> match the expertise of his previous works?<\/h2>\n<div class=\"embed-container\">\u00a0<\/div>\n<p><strong>The trailer for The Belfast Ensemble&#8217;s production of\u00a0<em>10 Plagues<\/em><\/strong><\/p>\n<p><a href=\"https:\/\/www.theguardian.com\/stage\/ravenhill\">Mark Ravenhill <\/a>and <a href=\"http:\/\/theagency.co.uk\/the-clients\/conor-mitchell\/\">Conor Mitchell<\/a>&#8216;s groundbreaking piece of music-theatre <em>10 Plagues <\/em>possesses a wild inventiveness that powerfully explores some of history&#8217;s most defining moments of suffering, distress and plague.<\/p>\n<p>The Belfast Ensemble performed a terrifically immersive rendition of Ravenhill\u2019s production of <em>10 Plagues<\/em> on Wednesday at the <a href=\"https:\/\/cardiffjournalism.co.uk\/intercardiff\/food-culture\/cardiff-theatre-wins-prestigious-award\">Sherman theatre,\u00a0<\/a>by constructing an exceptionally sensory and highly artistic piece of experimental theatre.<\/p>\n<p><span style=\"font-weight: 400\">By combining both biblical and literary epidemics with contemporary cultural references, <em>10 plagues<\/em> holds a mirror up to the devastating reality of the 1665 Black Death in London and also resonates\u00a0with the AIDS epidemic of the 1980s.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Retold through the eyes of one man in the city,\u00a0Ravenhill\u2019s production highlights the peaks and troughs of the hardship faced by individuals who were first-hand witnesses to the suffering.\u00a0<\/span><\/p>\n<figure id=\"attachment_31328\" aria-describedby=\"caption-attachment-31328\" style=\"width: 625px\" class=\"wp-caption alignnone\"><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-31328 size-medium\" src=\"https:\/\/cardiffjournalism.co.uk\/intercardiff\/wp-content\/uploads\/sites\/12\/2018\/03\/10-plagues-625x542.jpg\" alt=\"\" width=\"625\" height=\"542\" \/><figcaption id=\"caption-attachment-31328\" class=\"wp-caption-text\"><noscript><img decoding=\"async\" class=\"wp-image-31328 size-medium\" src=\"https:\/\/cardiffjournalism.co.uk\/intercardiff\/wp-content\/uploads\/sites\/12\/2018\/03\/10-plagues-625x542.jpg\" alt=\"\" width=\"625\" height=\"542\" \/><\/noscript> <strong><em>10 Plagues<\/em>, copyright: Belfast Ensemble<\/strong><\/figcaption><\/figure>\n<p><span style=\"font-weight: 400\">Differing from Ravenhill\u2019s infamous productions of <\/span><i><span style=\"font-weight: 400\">Handbag<\/span><\/i><span style=\"font-weight: 400\"> and <\/span><i><span style=\"font-weight: 400\">Shopping and Fu***ng, <\/span><\/i><span style=\"font-weight: 400\"><em>10 Plagues<\/em> provides a personal and confessional account of Ravenhill&#8217;s own experiences which are exceptionally portrayed\u00a0by libretto, Matthew Cavan. <\/span><\/p>\n<p><span style=\"font-weight: 400\">Cavan offers elements of deep emotion as well as\u00a0an aurora\u00a0of a morose nature which in turn allows him to possess total ownership of the stage. <\/span><\/p>\n<p><span style=\"font-weight: 400\">Prior to <\/span><i><span style=\"font-weight: 400\">10 plagues<\/span><\/i><span style=\"font-weight: 400\">, Cavan has played some of the most dynamic roles in the theatrical canon, yet something that particularly resonated throughout <\/span><i><span style=\"font-weight: 400\">10 plagues<\/span><\/i><span style=\"font-weight: 400\">\u00a0was the element of trust between the playwright, composer and actor.<\/span><\/p>\n<figure id=\"attachment_31499\" aria-describedby=\"caption-attachment-31499\" style=\"width: 625px\" class=\"wp-caption alignnone\"><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-31499 size-full\" src=\"https:\/\/cardiffjournalism.co.uk\/intercardiff\/wp-content\/uploads\/sites\/12\/2018\/03\/10PLAGUESNEW.jpg\" alt=\"\" width=\"625\" height=\"442\" srcset=\"https:\/\/cardiffjournalism.co.uk\/intercardiff\/wp-content\/uploads\/sites\/12\/2018\/03\/10PLAGUESNEW.jpg 625w, https:\/\/cardiffjournalism.co.uk\/intercardiff\/wp-content\/uploads\/sites\/12\/2018\/03\/10PLAGUESNEW-300x212.jpg 300w, https:\/\/cardiffjournalism.co.uk\/intercardiff\/wp-content\/uploads\/sites\/12\/2018\/03\/10PLAGUESNEW-500x354.jpg 500w\" sizes=\"auto, (max-width: 625px) 100vw, 625px\" \/><figcaption id=\"caption-attachment-31499\" class=\"wp-caption-text\"><noscript><img decoding=\"async\" class=\"wp-image-31499 size-full\" src=\"https:\/\/cardiffjournalism.co.uk\/intercardiff\/wp-content\/uploads\/sites\/12\/2018\/03\/10PLAGUESNEW.jpg\" alt=\"\" width=\"625\" height=\"442\" srcset=\"https:\/\/cardiffjournalism.co.uk\/intercardiff\/wp-content\/uploads\/sites\/12\/2018\/03\/10PLAGUESNEW.jpg 625w, https:\/\/cardiffjournalism.co.uk\/intercardiff\/wp-content\/uploads\/sites\/12\/2018\/03\/10PLAGUESNEW-300x212.jpg 300w, https:\/\/cardiffjournalism.co.uk\/intercardiff\/wp-content\/uploads\/sites\/12\/2018\/03\/10PLAGUESNEW-500x354.jpg 500w\" sizes=\"(max-width: 625px) 100vw, 625px\" \/><\/noscript> <strong>Many of the lyrics throughout the production provide a deeply emotive sentiment with themes that resonate towards the AIDS epidemic in the 1980s.<\/strong><\/figcaption><\/figure>\n<p>Finding the right actor to perform a confessional piece of work in theatre can quite often be misconstrued and exaggerated.\u00a0The trio of Ravenhill, Mitchell and Cavan\u00a0however,\u00a0naturally\u00a0gel together throughout <em>10 Plagues<\/em> which ultimately\u00a0leads to\u00a0an insanely intense yet moving experience.<\/p>\n<p><span style=\"font-weight: 400\">Whilst the staging and the overall production of this one-man show exceeds in pushing the boundaries of the genre, Ravenhill\u2019s\u00a0show feels more like a sensory experience rather than a piece of traditional theatre. <\/span><\/p>\n<p><span style=\"font-weight: 400\">For newcomers to the theatre scene, it should be noted that the production is\u00a0complex in its very nature, and can on occasions cause confusion with its surreal and\u00a0artistic\u00a0features.<\/span><\/p>\n<p><strong>For more information about where the production is next touring, please <a href=\"https:\/\/www.facebook.com\/The-Belfast-Ensemble-1524374981199397\/\">click here.<\/a><\/strong><\/p>\n<p><strong>For more details about other productions at the Sherman theatre, Cardiff, please <a href=\"http:\/\/www.shermantheatre.co.uk\/whats-on\/\">click here.<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ravenhill&#8217;s groundbreaking production turns traditional theatre on its head with a totally fresh, dynamic and immersive experience.<\/p>\n","protected":false},"author":381,"featured_media":31373,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[5],"tags":[],"coauthors":[613],"class_list":["post-31322","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-business-culture"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.2 - 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