{"id":4333,"date":"2015-02-13T15:50:21","date_gmt":"2015-02-13T15:50:21","guid":{"rendered":"http:\/\/cardiffian.jomec.co.uk\/?p=4333"},"modified":"2015-02-13T15:50:21","modified_gmt":"2015-02-13T15:50:21","slug":"all-female-richard-iii-interview-yvonne-murphy-on-gender-equality-in-theatre","status":"publish","type":"post","link":"https:\/\/cardiffjournalism.co.uk\/thecardiffian\/2015\/02\/13\/all-female-richard-iii-interview-yvonne-murphy-on-gender-equality-in-theatre\/","title":{"rendered":"All-female Richard III Interview: Yvonne Murphy on gender equality in theatre"},"content":{"rendered":"<p><strong><img decoding=\"async\" loading=\"lazy\" class=\"alignright wp-image-4337 size-large\" src=\"http:\/\/cardiffian.jomec.co.uk\/wp-content\/uploads\/2015\/02\/richardiii-1024x683.jpg\" alt=\"richardiii\" width=\"1024\" height=\"683\" \/><noscript><img decoding=\"async\" class=\"alignright wp-image-4337 size-large\" src=\"http:\/\/cardiffian.jomec.co.uk\/wp-content\/uploads\/2015\/02\/richardiii-1024x683.jpg\" alt=\"richardiii\" width=\"1024\" height=\"683\" \/><\/noscript><\/strong><br \/>\n<strong>THE new production of Richard III at the Wales Millennium Centre is about breaking ground \u2013 from the all-female cast and crew, to staging in a distinctly non-performance roof space. I sat down with director Yvonne after opening night in a conventional theatre to discuss the challenges facing such an unconventional production.<\/strong><br \/>\n\u201cWhen I decided to do an all-female Shakespeare, there were lots of things I didn&#8217;t know. I didn&#8217;t know what text I wanted to do, but also why it was such a big thing to do an all-female production.\u201d<br \/>\nSo why did she settle on Richard III? \u201cWhen we started we were working with lots of texts, and I kept coming back to Richard.<br \/>\n<figure id=\"attachment_4336\" aria-describedby=\"caption-attachment-4336\" style=\"width: 343px\" class=\"wp-caption alignright\"><img decoding=\"async\" loading=\"lazy\" class=\"  wp-image-4336\" src=\"http:\/\/cardiffian.jomec.co.uk\/wp-content\/uploads\/2015\/02\/Richard1-300x200.jpg\" alt=\"Richard1\" width=\"343\" height=\"228\" \/><figcaption id=\"caption-attachment-4336\" class=\"wp-caption-text\"><noscript><img decoding=\"async\" class=\"  wp-image-4336\" src=\"http:\/\/cardiffian.jomec.co.uk\/wp-content\/uploads\/2015\/02\/Richard1-300x200.jpg\" alt=\"Richard1\" width=\"343\" height=\"228\" \/><\/noscript> The ensemble of eight actors have worked hard to challenge the predominance of male parts in theatre<\/figcaption><\/figure><br \/>\n\u201cI was fascinated by the fact the women in Richard III are habitually cut &#8211; in film or theatre. I think women often hold the grief and loss and whilst that doesn\u2019t drive the action, it holds the essence of the piece.\u201d<br \/>\n\u201cOne actor said: &#8216;If you&#8217;re going to do this, go for something that&#8217;s got as many male parts as you can find, and challenge yourself\u2019. So I decided to challenge myself and create as big an opportunity as possible.\u201d<br \/>\nThe process has been far from a walk in the park. When I dwell on her use of the term challenge, she leans forward in her seat.<br \/>\n\u201cI&#8217;ve really challenged myself (laughs), and everyone working with me! It&#8217;s been the hardest thing I&#8217;ve ever done professionally \u2013 it\u2019s challenged me to the core.\u201d<br \/>\nWe move on to the production\u2019s staging \u2013 it\u2019s unusual, in a roof-space area unused for performance before last night. \u201cWhen we found this space we thought: &#8216;This is it\u2019 \u2013 it was the world we were looking for.<br \/>\n\u201cIt has the sense of scale that the piece needs, and it&#8217;s industrial, dusty, and there&#8217;s lots of places you can hide in.\u201d<br \/>\n<figure id=\"attachment_4347\" aria-describedby=\"caption-attachment-4347\" style=\"width: 300px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/cardiffian.jomec.co.uk\/wp-content\/uploads\/2015\/02\/richard-4.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-4347 size-medium\" src=\"http:\/\/cardiffian.jomec.co.uk\/wp-content\/uploads\/2015\/02\/richard-4-300x200.jpg\" alt=\"richard 4\" width=\"300\" height=\"200\" \/><figcaption id=\"caption-attachment-4347\" class=\"wp-caption-text\"><noscript><img decoding=\"async\" class=\"wp-image-4347 size-medium\" src=\"http:\/\/cardiffian.jomec.co.uk\/wp-content\/uploads\/2015\/02\/richard-4-300x200.jpg\" alt=\"richard 4\" width=\"300\" height=\"200\" \/><\/noscript><\/a> Changing physicality was a key part of the rehearsal process<\/figcaption><\/figure><br \/>\nMurphy takes a great deal of pleasure in the unexpected aspects of the production. Characterisation of male parts had to remain unchanged, but in rehearsals other idiosyncrasies emerged.<br \/>\n\u201cIt was to do with physicality \u2013 the presence men have. I was interested in how you take up space, and how you carry gravitas into a space.<br \/>\n\u201cThe ensemble found it difficult to do handshakes to begin with. Their handshakes were very feminine \u2013 their instinct was to move in very close &#8211; whereas the thing with a handshake is to keep distance, to protect yourself.<br \/>\n\u201cIt&#8217;s interesting how still men&#8217;s hands are in our culture, and how much women use their hands when they speak compared to men.\u201d She chuckles at her own gesticulations by way of emphasis.<br \/>\nBut the shift from the light-hearted to the weighty is quick. To Murphy, the importance of an all-female production is that it is seen as unusual.<br \/>\n<figure id=\"attachment_4338\" aria-describedby=\"caption-attachment-4338\" style=\"width: 361px\" class=\"wp-caption alignright\"><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-4338\" src=\"http:\/\/cardiffian.jomec.co.uk\/wp-content\/uploads\/2015\/02\/richardiii-2-300x200.jpg\" alt=\"richardiii 2\" width=\"361\" height=\"241\" \/><figcaption id=\"caption-attachment-4338\" class=\"wp-caption-text\"><noscript><img decoding=\"async\" class=\"wp-image-4338\" src=\"http:\/\/cardiffian.jomec.co.uk\/wp-content\/uploads\/2015\/02\/richardiii-2-300x200.jpg\" alt=\"richardiii 2\" width=\"361\" height=\"241\" \/><\/noscript> &#8220;We have to question as a society: \u2018What are the barriers to women feeling able to take leadership roles?&#8217;.&#8221;<\/figcaption><\/figure><br \/>\n\u201cThis production is in part about that visibility. What I would like is not to have to write &#8216;all-female&#8217; on my flyer.<br \/>\n\u201cIt should be the norm, something that no one blinks at, but I don\u2019t think we&#8217;re there yet unfortunately. The more we do it, the more normal it will become. People find change difficult, but when you change it, they can&#8217;t remember what it was like before.\u201d<br \/>\n&nbsp;<br \/>\n&nbsp;<\/p>\n<hr \/>\n<p>Richard III (Omidaze Productions) runs at the Wales Millennium Centre until\u00a0<span class=\"ProductionDates\">09 Feb &#8211; 23 Feb 2015<\/span><span id=\"ctl00_ContentPlaceHolder1_lblTimes\" class=\"ProductionTimes\"><\/span><span id=\"ctl00_ContentPlaceHolder1_lblRunningTime\" class=\"RunningTime\"><\/span><br \/>\n<span style=\"font-size: small\">10 &#8211; 23 Feb &#8217;15 \u00a312<br \/>\n<\/span><span style=\"font-size: small\">Age Guidance: 10+<\/span><br \/>\nFor more information head to the <a href=\"https:\/\/www.wmc.org.uk\/Productions\/2015-2016\/Other\/Feb10RichardIII\/\">Wales Millennium Centre site<\/a>, or <a href=\"http:\/\/www.omidaze.co.uk\/artistic\">Omidaze<\/a>.<br \/>\n&nbsp;<br \/>\n&nbsp;<br \/>\n&nbsp;<br \/>\n&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>THE new production of Richard III at the Wales Millennium Centre is about breaking ground \u2013 from the all-female cast and crew, to staging in a distinctly non-performance roof space. I sat down with director Yvonne after opening night in a conventional theatre to discuss the challenges facing such an unconventional production. \u201cWhen I decided to do an all-female Shakespeare, there were lots of things I didn&#8217;t know. I didn&#8217;t know what text I wanted to do, but also why [&hellip;]<\/p>\n","protected":false},"author":248,"featured_media":4337,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[2,40,14],"tags":[2436,438,454,974,2437,2438,491,2439,2440,493,1873,2441],"coauthors":[],"class_list":["post-4333","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-featured","category-going-out","category-longer-reads","tag-all-female","tag-arts","tag-cardiff-bay","tag-equality","tag-gender-equality","tag-omidaze","tag-performance","tag-richard-iii","tag-shakespeare","tag-theatre","tag-wales-millenium-centre","tag-yvvone-murphy"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>All-female Richard III Interview: Yvonne Murphy on gender equality in theatre - The Cardiffian<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cardiffjournalism.co.uk\/thecardiffian\/2015\/02\/13\/all-female-richard-iii-interview-yvonne-murphy-on-gender-equality-in-theatre\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"All-female Richard III Interview: Yvonne Murphy on gender equality in theatre - The Cardiffian\" \/>\n<meta property=\"og:description\" content=\"THE new production of Richard III at the Wales Millennium Centre is about breaking ground \u2013 from the all-female cast and crew, to staging in a distinctly non-performance roof space. 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